Romana Crucifixa Est
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A central theme in most (all?) Red Feline-movies is crucifixion. Would you like to comment on that? Jan Jac had a Catholic upbringing. I attribute his interest in crucifixion to that. Most historical references to torture involve religion, so we often draw upon that for our stories; Saint Plays, literature and accounts of martyrs, etc. Personally I find crucifixion to be a very challenging position physically. It puts a lot of strain on the entire body and it's difficult to breathe. I once heard that you prefer to be called an actress to being called a fetish-model. Explain, and what is your background in acting? I'm a method actress. I began studying acting when I was 6 years old. Later on I did a fair amount of theatre and musical comedy on stage. I'm not sure why women acting in fetish movies are referred to as models. I always thought that models stood still for a camera. Actresses act. Maybe I'm just out of the loop on that subject. Have you acted in any movies outside of Red Feline's catalogue of films? Yes, I had a lead role in a horror film that will be released in 2011. I also have a lead role in an independent film being shot this year. As an actress, would you like to at one point leave the fetish-world behind or take a break from it to star in something completely different, let's say a romantic comedy? I'm involved in independent cinema under my given name, in front of and behind the camera. I'm releasing the first feature film that I wrote and directed this year. Subversive romantic comedy is more my speed. Or a comedy along the lines of Bubba Ho-tep, that was a great movie, or Evil Dead 2. Bruce Campbell is super funny. Most of Red Feline's films have actual plots (at least to an extent). How important is storytelling in the context of torture movies to you? Storytelling is very important to me as an actress and a viewer. I cannot play a generic victim, there has to be a certain logic, story, and subtext to the movie for me to understand and enjoy it. Storytelling can often be as simple as highlighting gestures and body language in a movie. The language of film is visual, after all. You also have a hand in production of the Red Feline-films you are in. How big is your creative input actually? All films are a collaborative effort. I develop the story, plan the production, find locations, costumes, set up lights, direct parts of the movie, etc. I'm also the gaffer for all of our films, because I'm handy with tools. For me, collaboration is the spirit of independent cinema. Your films are often shot in gorgeous and very atmospheric locations. How do you even find them? I like to explore. I used to visit abandoned factories as a teenager. It's a passion of mine to travel aimlessly and pay attention to my surroundings. We found the location for Romana crucifixa est... by taking a day trip on a random road and just looking out the window for many kilometers. I saw a high plateau in the mountains off in the distance and simply stopped the car. It was quite a hike getting there, but obviously worth it. Let's talk about your films one by one:What can you tell us about Agent X? I'm an agent who is captured by the enemy and tortured for information. At the point when I finally give in, my torturer tells me that they already have the information, now it's just for fun. It's horribly sadistic and one of the most physically difficult films I've made. Aristocrux? I'm a bored aristocrat who is captured by a serf, tortured and crucified. I had a huge amount of fun with this one because of the castle location we found and I love to dress up in costumes. We shot the movie in some interiors of the castle and then shot the rest outdoors, a few hundred meters from the castle. When we were almost done shooting (I was dying on the cross), some tourists came along and saw me. They ran away so fast it was incredible! If it were I, I would have stayed and watched, but I'm a different sort I guess. Red Room? This was the first film I shot with Red Feline. I play myself, obsessed with finding the location where Red Feline on the Cross was filmed. I end up captured and tortured in much the same way Red Feline was. At the end, I'm nailed to a wall and have a crown of barbed wire shoved on my head. A few words about the wonderfully titled Romana Crucifixa est...? I play a Roman woman who is captured, tortured and crucified by a Barbarian. It's our take on a traditional crucifixion fantasy. The location for that one is amazing. We plan to shoot another film there. I had biting ants crawling over me the entire time we were shooting. Also, a man tried to steal our equipment and I had to chase him off with a stick, naked and covered in fake blood. The Perils of Jane in the Green Inferno? I play a hiker who is in the wrong place at the right time. We shot the series in the cloud forest in the tropics for 3 days. By the end I was so covered in scratches, insect bites, and whip marks I thought I would never recover. Training Jane? That's two shoots that Jan Jac and I did at different time and locations. We don't use special effects, because we did it for practice, I was working on my acting and reactions to torture, testing my limits. So, you can see the real whip marks in that one because they aren't covered in blood effects. The Via Crucis of Jane? The Via Crucis is a series of movies that started with Camille and Jan Jac working out different scenarios for crucifixion and how it would work on camera. The Via Crucis of Jane is the continuation of that study, taking it a bit farther, because I like to go a bit farther than Camille. We're releasing Crux 2 very soon. The 64-Dollar question: Where are all these films available from? DVDs: VOD: And more information can be found at: Any future projects you'd like to talk about? Right now we're shooting my first feature-length film without blood. It ends with my death and has lots of torture. The advantage to working without blood is that my hair doesn't stick to my body. I hate that. Do you have your own website, MySpace, Facebook, Twitter, YouTube, whatever else? You can look me up over at the DFN: Are there any fetish performers you look up to? I like all performers. Especially mimes. I love mimes. 2b1af7f3a8